This post continues the discussion I began in “Chillin’ at the OK Corral;” In that post I re-evaluated both Guild Wars 2 and Star Wars: The Old Republic based on their pre-launch claims concerning the revolutionary transformation they were about to unleash upon a helpless planet earth. Since their release, the Massively Multiplayer Game environment has seen some interesting changes over the last year or so. What might these changes indicate about the fate of existing MMORPGs and ones still in development?
Archive for the ‘game design’ Category
Tags: casual games, game design, hardcore games, ipad, iPhone, Jesper Juul, Quark Games, research, Shawn Foust, smart phones, Video game industry
It has become increasingly obvious over the last couple of years that some gamers are convinced that after Obama satisfies his deep-seated yearning to take away our guns he is going to send in the UN black helicopters and take away our hardcore videogames. In the past I’ve written about how the irrational fear that casual games are “taking over” has produced pathological troglodyte behavior directed against women who have dared simply to voice an opinion about games. Recently I came across an instance that has at its root the same pathology (oh no! Games are being played by everyone!) but adopted a refreshingly different approach: denial.
Throw an Apple hard enough and it can really sting
In a recent opinion piece for Polygon, Shawn Foust, currently VP of Design at Quark Games argued that “In two years mobile and tablet games will be predominantly hardcore.” Admittedly this pronouncement could be seen as a little self-serving given that Foust’s company is dedicated to producing hardcore games for mobile platforms. But let’s give Foust the benefit of the doubt and assume that his work has followed his passions and beliefs. What justifies the confidence behind his statement? Simple. “Every media platform optimized for games eventually ends up going hardcore. Mobile will not be different.” The PC, the Internet, consoles, all started out as oriented toward casual games and moved inevitably toward hardcore. The reason, he argues, lies in the desires of gamers themselves: “For all of our faults as customers (we’re very torch- and pitchfork-oriented), we gamers — and I’m speaking of the hardcore variety — are loyal and dedicated. . . .For us, games aren’t an idle pastime. They are a commitment. We can’t be distracted.” Casual games, he makes clear, are all about simple distraction, passing the time.
Sadly, this piece simply confirms why people should not be in a rush to invest in Foust’s company. In the first place he’s exhibiting the classic circular reasoning evident among so many game developers. Notice the nifty little rhetorical sidestep? I’m going to talk about all gamers. . .by which I mean hardcore gamers. But this is typical of the industry more broadly (indeed, in a former age it virtually defined the industry): all we make are hardcore games which people are buying therefore all gamers are hardcore gamers which means that we need to keep making nothing but hardcore games. It is a completely fallacious argument to believe that your intended audience thinks exactly like you do and in the game industry it has led to some of the most problematic industry practices: the widespread hypersexualism (we like big boobs so of course everyone does) and racism (we like plucky black sidekicks, doesn’t everyone?).
Yet that all pales before the major problem here which is simply that Foust is wrong. He’s wrong about the past and he’s wrong about the future. But it is the reason why he is wrong that interests me.
Tags: Bioware, game design, media, videogames
Today I would like to start a discussion on the artistic integrity of games with 3 topics in particular in mind: revised endings, HD upconverts, and extended editions. When I say revised endings, I’m talking about the Bioware idea of trying to revise the ending after having already released the game. HD upconverts and reboots refers things such as Age of Empires II’s new HD edition that was recently released on steam. Extended Editions I find to be something of a misnomer because in this case my example is the extended edition of Anna which I would argue is not so much an extended edition as the developer releasing an entirely new version of their game and saying “Wait! Wait! Give us a second chance!” I have very mixed feelings on each of these. They have merits, but there is a question of whether the change is too much and thus irrevocably and sometimes even negatively affects the game. Let’s go through each of these and then see what kind of discussion we can generate. (more…)
Tags: cloud computing, Crowdsourcing, John Walker, Misogyny, Rock Paper Shotgun, Sexism, the clowd, Video game, Video game development
Rock, Paper, Shotgun is a blog that I like to check in with from time to time. Written by four experienced UK game journalists, it focuses exclusively on PC Gaming (the fact that this still exists will certainly be news to major game retailers here in the US), the sense of humor resonates with me, and the focus tends to be thoughtfully eclectic.
Recently, one of the team, John Walker, posted an extended discussion of sexism in the gaming world in particular (that is both the world of players and the world of developers) and the tech world in general. (It is a lengthy article, but if you are a reader of this site you’ll be used to that by now!) Anyone involved with games who hasn’t been living under a rock (sadly, that actually excludes a lot of gamers, it seems, as will be seen in a moment) is aware of several general issues facing the gaming industry when it comes to gender. There is the persistent problem of the underrepresentation–scratch that, the massive underrepresentation–of women at every level of game development. While women make up a significant percentage of players in most casual gaming genres, they are still a distinct minority in many “traditional” hardcore gaming genres. There is a pervasive culture of harassment of women players in many gaming genres which ranges from downgrading women’s participation by treating that participation as unusual, to the outright abuse that comes from feeling women have no place at all in gaming. I’ve written several pieces for this blog that have looked at the hate-filled campaigns directed at women who have spoken out about misogyny in the world of gaming, or even at those women who have dared simply to offer an opinion on game design.
Walker’s article–“Misogyny, Sexism and why RPS isn’t Shutting Up”–makes no bones about its intentions. But the real interest of this article is that for a lot of people outside the game industry the most obvious question would be why the article was even necessary. So, you are going to continue to call out sexism and misogyny where you see it. Awesome. But, er, is there a problem with doing that in the world of gaming?
Oh yes. A big problem.
Tags: DRM, SimCity
Oh, DRM…Why has God forsaken you? DRM has been a woeful failure for years now. It has inconvenienced far more players than pirates it has stopped. Now, of course, I’m not advocating piracy and all of this has been said before and all of it will be said again. However, I am dismayed because I thought we had seen all of the worst DRM possible. I never wanted to believe that a worse DRM could even exist and yet here we are with captain of industry, EA Games, bringing us a DRM that makes no sense and makes a beloved franchise brought back from the dead unplayable.
At midnight on Tuesday, March 5, EA Games released via their Origin digital distribution service a new incarnation of SimCity. There has not been a new version of SimCity since SimCity 4 in 2003 (plus or minus 2007’s SimCity: Societies), but regardless the Origin download unlocks at midnight and almost immediately problems started. So what could cause such problems so fast? Three little words: Always Online DRM. You see EA in all their infinite wisdom decided that “Always Online DRM” was the smartest and most effective DRM method. Always on DRM means exactly what it sounds like: You must be online to play their game even if you are building a private city. They did attempt to make it worthwhile for you to be online by allowing you to view other player cities and create regional economies where your city is affected by cities around it, but still at its core each player is building an individual city so why is there no Singleplayer mode? There is private mode, but those players have been suffering the same issues as public players so let’s examine that now.
Always Online DRM should have been an annoyance or an inconvenience not unlike Diablo III’s Always Online DRM so Where did EA fail? EA launched with only 5 Servers for THE ENTIRE WORLD. There were two US servers (US East and US West) as well as two European servers and an Oceania server. The US servers were constantly full giving players messages that they should try again in 20-30 minutes. The servers were not even equipped to run a server queue. They expected you to manually keep trying until you get in. The European servers were region locked, but experiencing similar issues. These issues have been occurring for almost 48 hours now to the chagrin of numerous players and ultimately requiring EA to shut down the servers and update them while bringing new ones online.
Hopefully this colossal failure will cause EA and other Always Online DRM minded companies to rethink the launch requirements that entails. Polygon initially rated SimCity at 9.5, but actually downgraded to an 8.0 as a result of the rocky launch and connectivity issues. In closing I would like to point to two salient thoughts on the subject. Chris Kluwe tweeted “As a publisher/developer, if you’re going to push “always on” onto the consumer, then it’s YOUR responsibility to make sure it always works”. It is EA’s responsibility to handle this kind of thing and it is mind boggling that they could have been unprepared for the server traffic. Lastly I’d like to point Tycho of Penny Arcade who wrote:
Gabriel wasn’t able to get into SimCity last night to play, because the server wasn’t working and single player games don’t exist anymore, even if you are playing a private city and nobody can come in anyway. So I would remember it, because it was important, I said here in the post a long time ago that “EA games come with free misery.” This is why I stopped being an annual purchaser of Tiger Woods games: because this company has a serious, serious problem with execution at launch. You would only fix it if it meant more sales. But it doesn’t, because everybody already bought it. Well, except me.
EA will only see a desire to fix their launch failures if they see more sales in it, but because we buy things so instantaneously all the more so now with digital downloads they only fix things after the fact. So I guess the moral of the story is know what you need for launch, but for us players: be careful what games you choose to buy on launch day because buying a game on launch day is an implicit acceptance of whatever insane DRM you have to deal with.
The gaming community is often cast in a bad light as vagrants, underachievers, basement-dwelling hobgoblins, or even, on occasion, gun wielding psychopaths. But this is not really who gamers are. This is not what we stand for. This is not our community. The gaming community can be one of the friendliest communities you’ll ever meet and there are a few events throughout the year where we gather together in our mutual love of games as entertainment and an art-form. Today, I would like to highlight MAGfest: The Music and Gaming Festival, an event of gamers, by gamers, and for gamers. (more…)